Mind-Brain Identity Theory and the musical experience.

he producers include such individuals as composers and perormers for whom the main product either is creation of a new usical idea by the composer or re-creation of another’s novel dea by the performer—a subclassification that becomes impreise when the performance of music, itself, has a substantial reative component such as jazz. Furthermore, the expressive rges of composers have led to elaborate attempts to convey usical structure and content beyond the staves of the score as xemplified by the early twentieth century Russian composer nd pianist, Alexander Scriabin, who had color-hearing synestheia. Scriabin composed the symphonic work, Prometheus, the oeme of Fire, to be accompanied by a light show with projection f the colors that he “saw” in relation to various tones of the rchestral score.